Le Macgyver Cordon Bleu

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It’s 10:00 at night, your hungry, do you know what your going to make?? 



Easy, the already cooked chicken in the fridge with that other leftover stuff. Just turn the broil on and watch it bubble!

-Two left over pieces of grilled chicken.

-That little serving of shredded swiss cheese in the back of the fridge that could possibly last one more day. And blue cheese (if you have it)

-Breadcrumbs.

-End of the lunchmeat ham or pepperoni.

Put the chicken on a baking stone and layer with whatever meat product you have.

Sprinkle the swiss cheese over that and crumble any blue cheese you have on top of that.
Take the bread crumbs and sprinkle that on top.

Turn the broil on med-low heat and let cook for about 10-15min.

The crust should turn brown and cheese melted and still heating up the chicken.


You can eat this by itself on a roll or with that last scoop of ice cream in the freezer.

Food Stylist: Chris Lanier

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http://chrislanierny.com/index.php



1.) How did you get involved in styling?

About 8 years ago, a friend of a friend recommended me to Alison for a job.
She called and asked if I'd like to help out. I had no idea what food styling was then.
I assisted her on a shoot for Williams Sonoma and after that she started calling me for more jobs.

2.) It sounds like you have a cooking background. Did you attend school for that? Self taught?

I went to a small cooking School in Austin TX in a strip mall when I was 18. I worked in restaurants while going to school and continued working in restaurants into my 30's.

3.) Any creatives in your family?

 My family is from a small town in Texas. My Dad was a janitor and also worked in a leather factory. He just retired after many years as a rural mail man. My Mom is a nurse, and my sister is in PR. I am the only one in my family doing anything like this.
Everyone thought it was a little weird that I wanted to become a chef but they all supported me. My inspiration to become a chef came from my Mom and Grandmother who were both amazing cooks.

 4.) What kind of farm do you own in upstate New York?

My fiancé and I own a four acre former goat and horse farm in the Catskills. We are in the process of converting the property into a vegetable farm. We are working on infrastructure and amending the soil before we start planting. We will grow specific crops for chefs in the city and local restaurants. We will also grow vegetables, herbs and flowers for our seasonal supper club called "Ravenwood" which we have at our apartment in Brooklyn or upstate on the farm.


5.) How did you start assisting for Alison Attenhorough? Was it always food?


Alison needed an assistant for a job and a friend of friend gave her my info. We worked well together and have continued to work together for the past 8 years. We have done everything from Grey Goose to Dog food. We've cooked in mansions and dingy hallways on hotplates. We always have a good time, and make the best of it. We are traveling to northern California in August for a Food and Wine story.

6.) Who is your favorite client you have worked for?


I really like working with the new Bon Appetit team. They are all such great people and they love what they do. It's refreshing to work with a group of creative people who are excited about every part of the magazine they produce. Everyone in the test kitchen is great. They are so professional and they take their job very serious to make sure the recipes work and taste great.


7.) Any photographers in the industry you want to work for? Any clients you want to work for?

I would love to work with Gentl and Hyers. I think what they do is so beautiful. They capture the most rich and amazing color and shadow. Their photos are like still life paintings.
 I would love to do a cookbook start to finish with an awesome chef.

8.) What’s your favorite food to style?

I think my favorite food to style is grilled, BBQ, roasted over open fire, cooked in a outdoor oven, cooked on the beach, next to a stream, or on a farm type things. Growing up in Texas, this is how I learned to cook. I think it photographs well, and looks delicious.
I love shooting outside in natural light with elements of the environment peaking in. Food looks best when it's super fresh, and I always find the freshest ingredients.


9.) Is Bon Appetit a continual client for you? Is editorial work the most interesting to you?


 I work for Bon Appetit whenever they call me and I am available. They spread the jobs out between a lot of different stylists, so I'm always excited when they call me for a job. I think editorial work is more my style. I like things that are more natural and real. Although I've learned all the tricks of styling for ad jobs and commercials, it's not something I often feel proud of. Sometimes you have to doctor up the food and smear so much goop, oil and chemicals all over it, so it can hold up for hours or look a certain way. I prefer to work in a more spontaneous environment with photographers who know when to stop. When you get the shot, its nice to move on and keep the pace up.




Foie... Friend.... Foe...

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Irate chefs, and frenzied gourmands are what filled California’s streets (not really) after the ban of Foie Gras.

What is Foie Gras?

Definition: Is the liver of a duck or goose that has been enlarged through a special feeding technique and then served in pates, or a main ingredient in a hot dish. It’s a specialty that not all restaurants would serve.

The controversy: This technique is essentially a form of force feeding which is seen as animal cruelty. This goes beyond just raising them.

There are plenty of sites against it:
http://www.nofoiegras.org/
http://www.stopforcefeeding.com/content/what-foie-gras


For French inspired restaurants in California they are going to have to fill that space on the menu with something else. Maybe... a veggie dish? Nah.


Having eaten it several times and enjoying it, from a East Coast perspective I feel it’s perfectly ok. I consider it a technique in cooking than animal cruelty. What about lobsters? We can’t throw them in boiling water now because it will hurt? They taste so good though!

Just the other week France has actually gotten “involved” with this ban on the delicacy in California by boycotting California wines sold in France that actually ARN’T sold in France.

You can read more about that here:

http://insidescoopsf.sfgate.com/blog/2012/07/09/in-response-to-the-foie-gras-ban-french-merchants-boycott-california-wines-that-they-dont-sell-anyway/


As long as this feud doesn’t hit Philadelphia I’ll continue to eat my duck the way I like it.

Food Stylist: Noah Witenoff

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NOAH WITENOFF




1. How did you get into styling?
Photo Credit: Ryan Szulc 
After graduating from Concordia University with a degree in International Business, I decided to change career paths and go to cooking school to become a cook. In school, my Chef ended up being a food stylist and invited me to do my internship with her on a tv show. I fell in love with the career that I had no idea existed, and then decided I had to become a food stylist. I assisted my Chef while working in restaurants for a few years and then one day, took the plunge and quit the restaurant world. I started shooting my portfolio with photographers and started to make some connections. It took some time, determination and a lot of practice,  but eventually my career took off.
2. What did you start out doing, print of film?
My background started in print other then my internship. I worked on different kinds of projects ranging from Kraft What's Cooking Magazine, to the LCBO (Liquor Control Board of Ontario). Sometimes in the beginning I would be hired to replace someone who wasn't available or I would do things like style pudding in a cup. Not the most glamorous stuff but after some time, people got to know me, and my reputation got better and better.
3. Have you done work in the states? If so where? What clients?
No, all my work has been in Canada.
4. What was the hardest food to style on set? 
The hardest food to style on set for me is a pizza. You don't have much time to get it right. You will have a client (or many clients) and an art director giving opinions of elements that they'd like to see more or less of, and during this time you have to also focus on keeping that pizza alive. The cheese always wants to dry up, the pepperoni oozes grease, and vegetables tend to shrink and shrivel. The trick is to keep everything looking fresh and yummy and realistic but that takes quite a bit of work. 
5. At first working for McDonalds were you nervous? Was is a lot of prepping?
My first McDonald's tv commercial was for the 2010 Vancouver Winter Olympics campaign. I was very nervous as it was not only my first time shooting for McDonald's but it was also my first time shooting a tv commercial! I had worked on a test shoot with a Toronto photographer named Ryan Szulc to bid on a McDonald's print campaign, and from that they requested I work with them on their tv spot. We shot 5 commercials in two days (which is crazy) and we also ended up shooting stills with the athletes. 
Photo Credit: Ryan Szulc 
To make sure I was ready for the job, I practiced quite a bit at home and tried to advance myself as much as possible. I had never seen how it was done so I had to come up with strategies and techniques on how to best move through the day. I had three assistants with me and it ended up going amazing. It was a crazy adrenaline filled two days!
As for prep, there was not too much to do. We used a food styling truck (fully functional kitchen including deep fryer, fridge, freezer, and AC)  on set and all the food was supplied by McDonald's. We just had to cook it and make it look right for the shoot. There was also a bite shot of a Big Mac in one of the spots so we must have made at least 25 non stop! Pretty insane but so much fun. You can still see one of the ads on my site of Alexandre Bilodeau and his Big Mac.
6. Who are some photographers you have worked with in the past?
Some of the photogrpahers I have shot with are:
Toronto: Ryan Szulc, Michael Alberstant, Edward Pond, Kevin Hewitt, Colin Faulkner, Yvonne Duivenvoorden, Brandon Barre and James Tse. 
Montreal: Mathieu Levesque, Louise Savoie, Hans Laurendeau, Martin Girard, Michel Paquet
Ottawa: Christian Lalonde
7. Is there a company/photographer you would love to style for?
I would love to shoot for Donna Hay magazine in Australia and Martha Stewart's magazine in the US. I love what they do and it would be a great team to be part of.
8. Where have you found your inspiration for your props/styling techniques?
I definitely look through a lot of magazines and keep an eye on what other people are doing. Magazines like Donna Hay, Gourmet, and Bon Appetit always have beautiful inspiring shots. Also when I started, I did find it useful to research techniques online when possible and read some of the food styling books that are available. I would read something, test it, and then make it work for me. I always found that these tips were great starting points but definitely needed tweaking. A lot of my techniques have been made up on the spot. If there's a problem, find a solution fast. If the solution works, write it down and use it again and again.
I also try to do a lot of test shoots with photographers. These are great because we get to play with ideas that don't have to fit in a box and are not designed by someone else for a specific objective. These shoots are for us to be as creative as we want and the end result is for our portfolios. This, I would say, is the best way to stay current and inspired.
9. From a business perspective what have you found most beneficial for yourself in your marketing? 
My website has been key from the beginning. I had the site made within a month or two of me starting my own business. It has definitely evolved through the years and I am really happy with the way it looks now. Other then my site, it would be my personal interactions with photographers and clients. Going on "go sees" and meeting people is the best way to let people see your work and what kind of a person you would be to work with.
10. What tool can’t you show up without on set?
There are quite a few but if I had to choose just one, I would say my favourite tweezers. I use them a lot to reach for things on a plate, move things around without messing the whole dish up, and sorting through different kinds of small food items. Tweezers = food stylist best friend :)

Bottling Beer

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Pouring
One of my favorite parts about brewing beer is bottling it. It shows your one step closer to having a finished drink :)

Buying a six-pack you don’t event think about the cap unless it’s Magic Hat or Lion’s Head with a fun message, but when you home brew, bottling is part of the process.

Here are the items you need to bottle beer...


Caps and "capper"

 



1.) Oxygen Absorbing Caps
2.) Capper tool
3.) Bottles
4.) Brewed beer
5.) Case to store them in
Empty Bottles






Once your beer is ready to bottle you pour the beer from the 5 gallon containter into the bottle leaving about an inch at the top.
Then you take a flat cap and place it on top of rim. Take the round secure holder on the bottom of red capper and place over the cap.
Pull and press down both handles on red capper till you almost squeeze the bottle. Then lift it off and you have a capped beer bottle!






Capped Bottles

Crumble Crostini

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What Ya Need:
-Leftover bread sit out overnight (sourdough)
-Olive Oil
-Sea Salt
-Crushed Red Peppers



 

Preheat oven to 350 degrees.

Cut up the bread into inch slices, than tare the bread into small approximate inch cubes but not perfect.

Place flat on a baking sheet or stoneware.

Drizzle olive oil over the pieces of bread than sprinkle on top sea salt and red crushed peppers.

Place into the oven and let cook for 10-15min or until golden brown on edges.

These are great to pop in your mouth or I put them on my salad. :)








My #PBW2012

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The first 10 days in June are Philly Beer Week. After this post I will probably have one more night of tasting beer and specialty foods.

Joe’s family happen to come down on Sunday the 3rd so we all decided to go to Monk’s. I know I go there all the time but their beers are always different and always good. We ordered the usual Spanish Flies and Ghent mussels (which were perfect). I started off strong with a double IPA by Sierra Nevada. It was something new by them and was full of aromas and had a strong finish. After that I had the Dogfish Saison.

We departed from the folks and ventured down to Stateside. I haven’t been there since I photographed their pickled dish appetizers about a month ago, so I was craving more. Stateside is a whiskey bar with great craft beers. They had some specials going on for Beer Week and you could tell by the crowds of people standing outside. It was a beautiful day so all the windows were open and the sun was pouring in. I had a Victory Hop Devil which was fine considering I was still feeling the earlier drinks. I love their huge concrete bar that wraps from the front door to the opposite wall. For how crazy busy it was the bartenders had their ears open and jumped right on our orders.

By the time we left the skies had opened and got drenched all the way home. That was ok because there was a pint of Ben and Jerry’s waiting for us at home.



















Stateside
1536 East Passyunk Ave
Philadelphia, PA 19148
http://statesidephilly.com/


Monk's 
264 South 16th Street
Philadelphia, Pa 
http://www.monkscafe.com/ 

Beer Week
http://www.phillybeerweek.org/index.cfm

Nancy Ori's Travels to Italy

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Nancy Ori is starting on a journey to create a cookbook on regional Italian food.

I have been teaching photography in a remote region in the hills of Italy and have been to the same town three times now with my students with a fourth trip planned for October. I have gotten to know everyone who lives there practically....about 200 in the hilltop town. Three chefs have shared their recipes with me and I have photographed the region quite a bit. I want to do the cookbook as a sample of my work, a learning experience to photograph food, and as a gift to the many people who have been involved to produce my workshops. They will all be featured in the book. I will very likely not make any money on it but will have a great experience putting it together. The three chefs have cooked for my students each time so they will get a copy to remember my trips. The B&B where we stay will be happy to get a copy since they will also be featured along with their chef. It is kind of a community project.


The town is called Casperia and is located in Lazio about an hour south of the Tuscan border.
During the workshop we had a chef at the B&B who prepared all the breakfasts and two amazing dinners for us. The second chef gave us cooking lessons and learned how to make Stringozzi, a local pasta that is all one long piece of dough. That was probably the most interesting thing we saw and how they roll it out.


I would say that the Stringozzi is something that has been handed down through the generations of the ladies who were demonstrating the pasta making. 


The third chef was the featured person at La Tacita, an exclusive resort restaurant in the countryside of Casperia. He is a two star Michilin chef which over there is quite something. There are only 37 of them in all of Italy.

You Tube Links:


http://www.youtube.com/watch?v=2Raa2vizSVM
http://www.youtube.com/watch?v=FDDr3wou5Fk
http://www.youtube.com/watch?v=JhYxVOzs0HM

Geoff Binns-Calvey - YOUR special effects guy!

www.manbehindthecurtain.net  Special effects
www.geoffbinnscalvey.com  Sculpture


 
 
Where did you start your special effects endeavors?

 
   I started back in Cleveland, when I was a 24 year old carpenter- I saw an old high school friend, who was now a photographer, looking harried, pushing a cart through a lumberyard. I asked what he was making.
  "A set," he said. "Hey, do you want to build it for me?"
  I said, "Love to, but I have no idea what that involves."
 "Two windows in an eight foot wall. And it only needs to stand up for six hours."
  "I can do that," I said. And not long after, I was his studio manager, rigger, and effects guy.
 
What was your first rigged contraption?
 
  When I was six or seven,  using bits of wire, springs, and scraps from the garage, I made all the doors on my father's old work car pop open when he opened the driver's door. The trunk as well!

Do you work more with photographers or in video? 
 
  I started out with photographers, then got into TV commercials. But now I'm getting more work with still photographers again. The money's the same, and the pace is a little less frantic, so I enjoy it. And I've got a lot of the more complex equipment and tools from video shoots, which I can bring to still shoots.

  For your over sized props like OfficeMax, what were they made of?
 
      The Office Max props were a combination of MDF (medium density fiberboard), urethane foam, Bondo, fiberglass, and metal. The giant sheet of paper was just a piece of .016" polystyrene plastic. The giant Dorito was upholstery foam, a two part pourable soft urethane foam, and pigments. Oh, and bits of cut out tissue paper, for the "spice flakes".

What’s your favorite rig you have made?
 
   Hmm... recently, I rigged up a laser guided high powered baseball cannon. I went down to Cincinnati, and spent the day shooting 120 mph baseballs into pinatas full of guacamole and nacho cheese dip, for a Pepto Bismol commercial. They just blew apart. That was a pretty great day! (Video here- save time, and skip to the 1:00 mark) http://www.youtube.com/watch?v=TLK0TVd64lQ

What’s your favorite prop you have made?
 
    A recent favorite was a giant piggy bank, mounted on a mechanical bull rig. That was a couple of weeks of carving, sanding, and painting with my good friend Martha Schrik. The spot, and the pig, came out great!  http://www.youtube.com/watch?v=I7vdaGG7jCA
   
   What do people come to you most often for?
 
     I've been getting a lot of beverage work, recently- bottle dressing, ice, frost, and pours. And I do a lot of grill and flame shots, although it's not the majority of my work. I've got a whole range of equipment for that, with a "cracker fogger" to make room temperature steam or smoke, a set of very nice acrylic "hot coals", and a great, controllable flame rig for grills. And I sometimes make custom grills to match the layout, welding up the grill rods on site, and cutting up the backyard grills as needed to get lights underneath.
http://www.youtube.com/watch?v=THtD2gvNC9g&feature=player_embedded
 
Your work is so specific, does your work come word of mouth or do you market yourself to potential clients?
 
   Mostly word of mouth. A lot of recommendations come from the food stylists. When they see a layout with flames, steam, smoke, pours, splashes, or anything tricky, they'll often say to the photographer, "You know who'd make this all go smoother? Geoff." I owe the stylists big time!
 
Did sculptures come before or after your special effects work? 
 
   About the same time, starting years ago. I was fascinated with prosthetic makeup effects, and got into life cast sculpture that way. Although I don't do that sort of f/x makeup work- it's very skilled and specialized- I use a lot of the same sculpting materials and methods in prop making and rigging.
 
 
What’s your favorite medium you’ve worked in sculpting?
 
  I've been doing some vacuum formed pieces over life casts, that are really interesting. You can get the feeling of draped wet silk, with the color and texture of corroded copper.
 
Photo credits:
  Giant Dorito, Ink/Paper/Scissors; Geoff Binns-Calvey
  Foam Pizza Painting, Pig and Martha; Amy Binns-Calvey
  Standing by Giant Pig; Martha Schrik
  Welding the Grill; Justin Paris

Felicia's Blog Awards: Not to be confused with Saveur Magazine

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Saveur Magazine can’t have all the fun reviewing blogs. So out of their 16 categories I chose my own favorite categories.

Below you will see my winners. These were chosen based on content, style, and appeal to audiences.
Let me know what you think!

Here’s the link to Saveur Magazine’s original posting:
http://www.saveur.com/article/Kitchen/2012-Best-Food-Blog-Awards-The-Winners

It’s fun to review each year. (I’ll be on that list soon)

Cooking Blog
http://alainasullivan.blogspot.com/

Baking and Desserts Blog
http://chasingdelicious.com/

Group Blog
http://www.punkdomestics.com/

Best Recipe Sweet or Savory
http://www.foodinjars.com/2011/12/quince-slices-in-a-spiced-chai-syrup/

Best Food Photography Blog
http://pratos-e-travessas.blogspot.com/

Best Single Food Photo Blog
http://whatkatieate.blogspot.com/2011/10/back-to-regular-swing-of-things.html

Best Single Food Video Blog
http://vimeo.com/28647609

Best Restaurant/ Dining Coverage
http://www.kevineats.com/

Best Celebrity Food Blog
http://www.anthonybourdain.net/

Katrina Tekavec: Food Stylist

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1. Were your original intentions to become a photographer? Was it a food photographer?
I was a photographer for a few years while also assisting a food stylist friend.   Not food, I was a music and fashion photographer.  I started doing prop styling and food styling became a natural progression.  When I started getting more styling work than shooting work, I simply followed the path that seemed more inviting (and lucrative). 


2. Is cooking something your family did or you just fell into cooking and styling food on your own?
My parents weren't terribly interested in food for the sake of food, it was always more about putting edible nourishment on the table and reconnecting at the end of the day.  I wasn't raised in an adventurous home with regard to food.  I forged my own way with food and became a self-taught pastry chef along the way, and I have done that professionally as well. I would say that styling drove my interest in food, and photography is what started it all.  My photographic sensibilities have been invaluable to me as a stylist and also as I'm moving into art direction.  


3. In your bio you explain how you almost double as a art director and a stylists. Do you think that makes you more valuable and gives you more opportunities to be hired for shoots? 
I think that it makes me more valuable on the set because I can take the reigns.  Often I am not even working with an art director, there is a client (or marketing director) and a photographer and together we figure it out.  I have a few new clients that want me to handle the project from conception through execution, including the art direction and the styling and I'm happy to oblige.  Ultimately I would prefer to art direct and hire other stylists.    


4. Is a lot of your work now through word of mouth or do you do a lot of marketing?
My website and word of mouth are the only way clients find me, I haven't ever spent much time in marketing or cold calling.  Referrals are especially nice because I know I've done a good job if someone is passing along my name. 

5. Where do you get your inspirations for styling shoots?
I find inspiration everywhere, even though that sounds like a cheap answer.  I have always liked Donna Hay's style, it is effortless and generally employs the use of a limited palette which is something that I've always done, from the beginning of my career, whenever possible. However I also really like some drama and more intricate lighting, if it's done well.  The open, natural, flat lighting for food photography is nearing its expiration date in my opinion.  It will always have its place but I hope the trend moves toward more variety of styles.  As I move more into art direction I will seek out photographers who's work isn't only about that Real Simple aesthetic.  I also see a lot of really bad, under-styled food photography out there, it makes me cringe.  Rachel Ray's magazine is the number one example, food photography should not look like a guy with a camera stumbled upon someone's kitchen at dinner time.  In my opinion we exist to elevate the whole idea of food and dining and entertaining, we should create aspirational images.  I don't want to see baked-on crud and un-ironed linens.    

6. Is the majority of your work for magazines or more commercial?
I don't do any magazine work.  I do a fair amount of cookbook work, but the bulk of my work consists of packaging and advertising, some video, some film.


7. Do you still teach food styling classes? Do you have prospective food stylists contact you for help?
I no longer teach, but I do hear from people who want to get into the business regularly.  I help out with advice if I have the time, if they aren't reaching out to me during my crazy-busy periods.  If I'm too in the weeds I refer them to another stylist.   

8. Where do you primarily work?
There is no real predictability, sometimes I'm busier in Philadelphia, sometimes New Jersey, it depends on who's got more marketing money to spend :-) 
9. Your recent work shows a variety of cupcakes. Which was your favorite to make?
I liked the Rum & Coke cupcakes because it is a meringue icing which is always a lot of fun to play with.  On that shoot I worked with a graphic designer who was very hands-off with the food and allowed me almost total creative freedom.  That's an ideal situation.

Slim Kicker!

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There's this new app I was approached by (Christine Chu) called SlimKicker that's usable on your Iphone.

It's nice because the user interface is easy to follow and is broken down well. The challenges section is the most interesting because you push your will power. I'm always about working hard and not letting myself down so this was a personal favorite. Also if you succeed you can earn points!

This is also nice because even though this is your personal app analyzing what you eat your still working with others. There are groups and forums where you can talk with other people about their progress or general health questions.

Other than working together this app is great because it's like a game. Making working out enjoyable really changes your attitude for it :)


Check it out, they are online

http://slimkicker.com/

Hawk Krall | what your eating he probably drew

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1.) What is your education background?
Graduated from Pratt Institute with a degree in Illustration / Communication Design. Also my parents (and grandparents) were artists and illustrators so the education started early.

2.) What came first the cooking for drawing?
Both really. I worked crappy food jobs and worked on freelance jobs at night, then somehow found myself working in a French kitchen, then combined the two things and it worked. The discipline and ethos of working in a real kitchen definitely influenced my artwork, and vice versa.

3.) What medium do you usually work in when creating your pieces?
I do loose sketches with soft wood less pencils and then tighten them up with colored pencils before doing a tighter version on tracing paper. The final pieces are gouache and ink on printmaking paper. For illustration jobs that need to be done faster I do ink (brush not pens) on bristol board and color it in Photoshop.

4.) How long does a typical image take to complete?
The full color food paintings take a few days from sketches to finished painting, although I can do them in a day if I have to - although they aren't as tight as I'd like them to be, or I have to keep it really simple. Although I often have to do small illo jobs in a few hours, and 2 days is the most I usually get for an alt weekly cover.

5.) Who have you worked with? Who would you like to work with?
Tons of Alt-Weeklies, especially back when I was doing mostly editorial illustration: Philadelphia Weekly, Baltimore Citypaper, Las Vegas Weekly, Village Voice. Cincinnati Magazine has given me some good work. On the food side of things, there's the menu at Hot Diggity in Philly, I also recently did a series of paintings for The Burger Map, a really cool burger joint in Brazil. I'm currently working on a menu for a Tex-Mex burger and taco food court stall in Malaysia (if you're wondering how these people find me, it's all from Serious Eats) and a giant mural for Pizza Brain, a pizzeria slash pizza museum opening in Fishtown this summer.

I'd love to paint a food truck top to bottom, I've been close to doing it a few times but it hasn't happened yet. I'd also love to do more projects that combine writing and art, like the hot dog article I worked on with Serious Eats for Rachael Ray magazine and also illustrated. Like if Sauveur or Vice sent me to document hot dogs in Uzbekistan or seafood restaurants with live music by bad cover bands in Pensacola, yeah I'd be into it.

Then there's my pipe dream of doing television. I used to do a lot more narrative comics about working in a kitchen, and always thought that a serious TV show about line cooks would be amazing, not a cute foodie show but more along the lines of the Wire. The crazy characters and dedication people have to that life is insane. Bourdain & co definitely got it with Treme and those scenes are probably my favorite in the show.

6.) Is your work in other cities than Philadelphia?
Yeah I've done illustration for publications all over (see last question) and I have my hot dog prints on display / for sale in a handful of restaurants and shops across the country.



7.) Have you collaborated with other illustrators?
Before I was writing for Serious Eats there was Drawing For Food, a food blog Kris Chau (also an amazing illustrator) and I started a few years back - we did a bunch of illustrated posts and even worked on some collaborative illustrations. These days we're both too busy for it which is sort of a bummer. I also recently worked with Thom Lessner on this crazy backdrop for a Comcast kids' show about magic tricks. I love working with Thom and think our styles look great together, maybe somebody will hire us to paint that food truck i was talking about earlier.

8.) What should we look for when your website is fully up and running?
Ha! Yeah I need to get that together. I'd like to sift through the last 10 years of work I've done and really edit it down to the best stuff, and get a bunch of my older editorial older work up there so people realize I draw something other than hot dogs.





I've also got a few shows coming up this year, Space 1026 in July, which will probably be all non-hot dog related, and a bigger show at Hot Diggity the same month (July being National Hot Dog Month) as well as a possibility of something at American Sardine Bar maybe in the fall.

Fond BYOB

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The other night Joe and I walked down to Passyunk Ave to check out a French BYOB, Fond... Joe met the pastry chef at a networking event who actually owns her own bakery a couple doors down from it. Her fiance runs the kitchen at Fond now.

We got there and for the majority of our dinner we were the only ones there which was nice. We went out on a Tuesday night and the weather wasn’t that bad so it was interesting to see no one out.

The server immediately seated us with a big smile and opened our white wine we brought. Overall the dinner was rich and tasty so drinking the dry white wine helped. The waiter started us off with their soup tasting of the night which was butternut squash soup. 

For appetizer I had the escargot. I’ve gotten this a few times at different restaurants and it’s interesting how they all serve it differently. This one was brought out in a wide rimmed bowl with a garlic puree. So good! Joe got his favorite, Fois Gras which was stacked and seared perfectly.



For the main course I tried the Skate Wing. I’ve heard this is a tough fish to eat because of the lack of “meat” to it. Under the Skate was creamy risotto, edamame, then surrounded by brown butter which was a foamy presentation. Joe had the duck breast in duck jus and a side of sausage and white beans. Throughout the night the waiter brought us some bread. We had the choice of sourdough or olive loaf. I wasn’t sure if it was made on premise or brought in. Dinner was so rich we had to share a dessert which was a little heavy to begin with. We ordered the malted milk chocolate ice cream with peanut brittle, chocolate crumble, and peanut butter ganache.

Overall the dinner was great, it was quite probably because it was Tuesday night. The chef was nice enough to meet Joe. The entire place could probably seat up to 30 people and the colors inside were very earthy and calming. It’s located on Passyunk Ave near all the shops.